Sunny Skies listened to the Moroccan story-teller telling stories.
Apparently, she listened so intently that she forgot and became part of the story.
This can happen to any of us when we forget because a story is very much like a dream.
When you are awake, you think, I’ve been dreaming, but now I’m awake.
And when you’re dreaming, you think, I’ve been dreaming, but now I’m awake.
- excerpt from “Moon Over Morocco” (ZBS Productions)
I’ve been telling my stories for years. When I tell them, I notice the crafting that’s going on. From my experiencing the actual event to the processing to the retelling, I’m unpacking, peeling away the layers of perceived reality, and reassembling them into something more coherent. Sometimes life needs this. We often find ourselves in situations where we’re standing there thinking, “What the fuck is going on here? Is this really happening? How did I get in this situation?” In rationalizing how we moved from Point A to Point B, the story begins. It is in the telling that we find validation, confirmation that we truly experienced this event.
And it is this crafting that excites me. I’ve spent so much time looking back over the events of my life and have viewed them through our kaleidescope of available emotions: what would this look like if I took a comedic slant? Were there any moral lessons in that? What big themes are running through all of these? If I told this story, would I gear it towards an audience or would I just speak it back to me? Am I willing to tell the story in all its personal detail? Is the deeply personal necessary for the plot?
I’ve often been criticized for saying too much, for being too blunt, but I really think that to not be would be an insult to the process. The purpose of the telling is not only to be vainly validated and confirmed, but it is, as its highest goal, to mimic Plato’s coming out of the cave. If I have an experience and, after examination, I’ve learned from it, then it is my responsibility to tell that story. And, yes, I realize this is loaded, but you have to consider the goal here: we are each other’s Nietzschean spur. We must strive towards being the better person, have the better relationship, be a more productive member of our community.
Now am I advocating that we all sit down and engage in a daily story hour? No. I am, however, firstly advocating that we spend more time engaging with our experiences. Can you be The One Who Watches? Are you willing to be with an experience enough to pull it apart? Can you find the nuggets of wisdom in the experience? And maybe for you this isn’t about looking at every experience. There are some who believe that tying shoes is just… tying shoes. But what if you chose to just think through one experience in your life and work with that? What could you unearth? How could you retell the story? What angle would you take? How much of you would you divulge?
Stories give us superpowers. We all know this because we tell ourselves stories each day to keep us going. I wake up every morning telling myself the same story: Kick ASS! I get another CHANCE! My story involves chances, options, opportunities, a multitude of paths. Telling myself this story over and over gives me hope and keeps me rooted in optimism. What stories do you tell yourself? If you find that your stories are rooted in fears, is there another way you could tell the story that would make it more compelling? Maybe you like the story you’re telling yourself. There are some stories that I like to hear over and over because I’ve memorized the plot, know the point of denouement, and can happily predict the ending. But those are only for comfort, not for momentum. Comfort isn’t a bad thing; sometimes stagnation is important. It gives us down time, time to heal and to remember. But if all you are seeking is the retelling of the same story, then there is another story underneath that. Dig deeper.
“The story is only half told when one side tells it,” goes the old Berber saying. A story cannot exist without the storyteller and the audience. You have to be willing to tell the story and wait for the reaction. Our stories then become part of the cycle. It is an endless retelling: the audience then has a new experience and creates a new story. This endless retelling creates great weight. Think of the types of stories you hear. Are they loaded with conspiracy? Hope? Fear? Joy? Think of the story-tellers you surround yourself with. Do they encourage you to tell your own story? Do they doubt your story? Find ways to pierce holes in your perception? The types of stories you surround yourself with mirror the life you lead. In this, you always have a choice.
And so you become a Story Superhero. Will you share your powers with others?